|Location:||Los Angeles, CA|
|Title/Headline:||Film Editor and Consultant|
|Known for:||Seven Stages to Achieve Eternal Bliss, Itsy Bitsy, Josie & Jack, Victor Crowley|
|Minimum time:||5 minutes|
Matt Latham is a Lone Star Emmy Award-winning editor living in Los Angeles, CA. He is an alumni of the American Cinema Editors Diversity Mentorship Program, and he is an Executive Committee Member of the Blue Collar Post Collective, a non-profit organization supporting emerging talent in post production. He also instructs for Adobe and Assistant Editors Bootcamp, with an emphasis on how to organize and edit feature films in Adobe Premiere Pro. His feature film credits include SEVEN STAGES TO ACHIEVE ETERNAL BLISS (Tribeca Film Festival premiere), VICTOR CROWLEY (Frightfest premiere), and JOSIE & JACK (Beverly Hills Film Festival premiere).
Matt also offers pre-production and production consultation from an editor's perspective, helping producers, directors, cinematographers, actors, and post production supervisors understand how to most effectively and efficiently target their efforts toward what will end up on the screen. Matt advocates for a holistic approach toward filmmaking rooted in maximizing limited resources, getting the most bang for the buck in providing the editor with exactly what they need to create the best possible end product.This expert donates all Sidetime proceeds to Blue Collar Post Collective.
Don’t know where to start or have multiple questions or topics you’ll like to discuss? Don’t worry about it, our expert has Open Ended Conversations so you can take as much time and go as in depth as you need so you can become your very best.Schedule a Call
Every film can benefit from the additional perspective of a seasoned editor, even if the film was edited by a seasoned editor! It's inevitable to get viewing fatigue, and become too used to what you're editing. Getting feedback can spring forth new ideas, and seasoned editors are able to offer concrete solutions, as they have a strong sense of what can and can't be done in the edit room. You can always do more than you think you can to solve story or pacing issues with the sophisticated array of tools that editors have gained through hard-won experience!Schedule a Call
It's always worth getting script feedback from an experienced editor before or during pre-production. Editing a film is basically writing the last draft of the movie, and editors have a honed skillset for creating clarity, thematic focus, pace and tone. We can often spot scenes that would likely end up on the cutting room floor, or identify how to streamline story points (multiple scenes that could be condensed into one scene), saving production money and time. In addition to the practical/financial benefits, our priority and focus is always to tell the story better and deliver the most affecting experience for the audience. The $100 fee covers the reading of the script in preparation for the feedback.Schedule a Call