Angela has worked extensively in both television and feature films. She’s edited numerous pilots and critically-acclaimed series including The Shield, Friday Night Lights, Suits, Parenthood, The Path, and The Man in the High Castle, with her work on the FNL series finale earning her an American Cinema Editors Eddie Award nomination. In recent years, Angela has worked primarily in feature film, twice teaming up with director Martin Campbell on action-thrillers The Foreigner and the upcoming The Asset (2021). Angela also edited young adult drama Five Feet Apart, directed by Justin Baldoni. She is a member of American Cinema Editors (ACE), The Academy of Television Arts & Sciences (ATAS), and the Motion Picture Editors Guild (MPEG, Local 700).
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What are the differences in workflow, schedules, and protocol? Who really runs the department and manages the team, and what can you expect going back and forth between TV and film? How is the relationship with a director different? What are the hours like? And what about the money? Is it easier to get work in TV? I can answer any questions you have on this topic.Schedule a Call
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